Rhapsody in Blue at 100 - Melbourne International Jazz Festival (2024)

Presenter

Orchestra Victoria & Melbourne International Jazz Festival

Concert Lab Role

Producer

Artistic Direction

Featuring

Orchestra Victoria

Jessica Gethin conductor

Makoto Ozone piano

Panorama Brasil band

Date & Venue

Saturday 26 October 2024

Hamer Hall, Arts Centre Melbourne

About the Performance

Three masters of orchestral jazz – Gershwin, Jobim, and Chick Corea – brought together for a very special evening at the Melbourne International Jazz Festival.

This exclusive program features GRAMMY-nominated Japanese piano virtuoso Makoto Ozone, local Brazilian music exponents Panorama Brasil and Orchestra Victoria, as they take you on a journey through the 20th century’s most iconic works.

When a 26-year-old George Gershwin put pen to paper 100 years ago, he couldn’t have imagined that his concerto Rhapsody in Blue would be selling out concert halls a century later, much less that his work would change the way the world thought about orchestral music and viewed the concept of the American Composer. A true pioneer, Gershwin’s masterpiece moves seamlessly between the disciplines of classical music and the then emerging sounds of jazz.

Composed half a century later, Chick Corea’s beloved composition Spain undeniably grows from the groundwork laid by Gershwin. Leading the orchestra through the sounds of Spain, New York and Latin America in this GRAMMY-winning masterpiece will be Japanese pianist Makoto Ozone – a friend and collaborator of the great Chick Corea himself, and featured soloist with orchestras around the world including the New York Philharmonic.

Like Gershwin, Antônio Carlos Jobim reimagined the sound of a nation, merging the Brazilian samba tradition with jazz to create the distinctly Brazilian sound of bossa nova – earning him the nickname “The Godfather of Bossa Nova”. Performing selections of his vast repertoire, Panorama Brasil join forces with Orchestra Victoria and conductor Jessica Gethin, to saunter through the clubs of 1960s Rio De Janeiro.

Limelight ReviewBeat Review
"It is a tough call to make a performance of Rhapsody in Blue stand out, as it is one of the most performed and recorded works in the jazz orchestral repertoire. Ozone, however, gave a virtuoso performance that was transformative, bringing to the work renewed vigour and stretching its melodic and rhythmic possibilities. ★★★★½" - Andra Jackson, Limelight
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